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Nothing in Clara Bow's upbringing
suggests that she would one day become the archetypal
1920s flapper and silent screen sex symbol. Born
into poverty to abusive parents living in a Brooklyn
tenement, Bow grew up with more than her share of
dysfunction. Her mentally ill mother occasionally
prostituted herself, locking Clara in the closet
when serving clients, and her father allegedly raped
her at the age of 15. This undoubtedly contributed
to lifelong challenges, which may have led to later
bouts of schizophrenia, alcoholism, and drug abuse.
Yet, Clara Bow now transcends
most stars of the silent era. After a series of
small parts, she reached the pinnacle of popularity
in the 1927 film It, based on Elinor
Glyn's novel that had designated Bow as the "It
Girl." Glyn does a cameo of herself in a dining
scene to summarize exactly what "It" is:
"That strange
magnetism which attracts both sexes... entirely
unself-conscious... full of self-confidence... indifferent
to the effect... she is producing and uninfluenced
by others."
While modern viewers talk much
more openly about sex appeal, back in the twenties
most would refer to "It" with knowing "wink, wink
... nudge, nudge" looks and references. And Clara
Bow demonstrates "It" definitively as salesgirl Betty
Lou Spence, who instantly falls for wealthy Cyrus
Waltham Jr. (Antonio Moreno) on first sight. Without
Bow, this romantic comedy would lie among the faceless
mundane melodramas of the era. She single-handedly
transforms the film into a classic that remains enjoyable
today.
The simple story is very
easy to follow. Waltham has just inherited his father's
large department store and is congratulated by his
buddy Monty (William Austin), who is fascinated
by Glyn's Cosmopolitan excerpt about "It."
He sets out to see if any of Waltham's sales girls
have this elusive quality and is soon transfixed
by Betty Lou. She uses him as a means to get to
Waltham, illustrating how independent, liberated
women could actively pursue sexual conquests in
the Jazz Age.
That doesn't mean that Betty
Lou is a loose woman, however. At the end of her
first official date with Waltham, she abruptly slaps
him when he attempts a kiss: "So you're one of those
Minute Men--the minute you meet a girl you think
you can kiss her!" No good time girl routine for
Betty Lou, and her dream man doesn't even get an
invitation for coffee. Despite her prudish behavior,
she reveals how much she relishes that initial affectionate
expression in the privacy of her chamber. This won't
be the last time that she'll send mixed signals,
as she plays "hard to get".
A series of typical misunderstandings
take place, complicated by bureaucratic social workers,
but we expect that the desired match will eventually
work out—the poor girl will end up with the handsome
rich guy. Director Clarence G. Badger's It
is an ordinary story acted out by a number of non-descript
characters except for the one--the engaging, charismatic,
fiercely independent, flirtatious Clara Bow. Only
when she is on screen does the story spring to life!
This film alone serves as ample explanation for
why Bow will forever remain a Hollywood legend.
The same year, Bow also
appears in the much higher-regarded Academy Award-winning
Wings, but It is the
film that established her as an icon. Thankfully,
Milestone Films has preserved this classic on DVD,
including a commentary by film historian Jeanine
Basinger.
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